Marked in Cards

Price will go up to $20 on June 27th, 2024.

A location of a selected card under true test conditions. The deck is shuffled before and after the selection ... yet the card can be located. The Unnamed Magician originally released this (in a guest appearance) as part of Christian Grace's "Magic Monthly" membership, and now it is being released here. The method you will learn here is slightly different (and cleaner) compared to the method taught in "Magic Monthly." It's fooled many well-versed magicians, so laymen don't stand a chance. Read on. (There is a full performance video with a spectator...

Price will go up to $20 on June 20th, 2024.

Note: For those of you who own Rain Man and Rain Man Again, this uses a completely different method.

Imagine:

The magician and the spectator are seated together at a table. The magician introduces a deck of cards, which he hands to the spectator - they are asked to examine and shuffle it thoroughly. Once they're done shuffling, the magician takes back the deck and holds it. He says, "I want you to generate a random number between 1 and 52. Of course, I could have you name one, but then you may think I psychologically influenced you towards a particular number or...

Instructions, routines, tips, and ideas for a card punch.

This is a series of letters to a fictitious E.N. Igami ('imagine' when read reversed) with information on how to use a card punch and what can be done with it, particularly from a conjurer's perspective. It is one of the few resources available on card punches. It also reproduces a few passages from older books that cover punch work.

Several gambling demonstrations are detailed, including a Dai Vernon Bridge Deal as well as poker and blackjack routines. Other routines have more of a mental slant. Ray Grismer also explains his system for placement...

Imagine:

The magician introduces a deck of cards; he spreads it face up to show that all the cards are different. He then gives it to a spectator and asks them to thoroughly shuffle it. After they are done shuffling, he asks them to cut off about a third of the deck. The spectator does that. The magician then sets aside the remainder of the deck and tells the spectator to just focus on the third they cut off.

The magician tells the spectator that they can shuffle the third if they want (not that it's necessary because moments ago, before cutting off the third, they shuffled the entire...

Imagine:

The magician introduces a deck of cards. He invites a spectator to thoroughly shuffle the deck. Once the spectator is done shuffling, the magician spreads the deck face up as he asks them to verify that all the cards are in fact different. With this done, he closes the spread and turns the deck back face down, after which he turns his back to the spectator. He then (while turned away) instructs the spectator to cut the deck into 3 piles. Furthermore, he promises never to touch the deck again until the end.

The spectator takes the deck and cuts it into 3 more or less equal piles:...

Imagine:

The magician introduces a deck of cards. He invites a spectator to thoroughly shuffle the deck. Once the spectator is done shuffling, the magician spreads the deck face up as he asks them to verify that all the cards are in fact different. With this done, he closes the spread and turns the deck back face down. He then instructs the spectator to cut the deck into 3 piles. Furthermore, he promises never to touch the deck again until the end.

The spectator takes the deck and cuts it into 3 more or less equal piles: top pile, middle pile and bottom pile respectively. The magician...

Imagine:

The magician introduces a deck of cards; he spreads it face up to show that all the cards are different. Next, he places the deck on the table in front of a spectator. He says: "In a moment I am going to turn my back to you, and while I am turned away, I want you to make a free selection of any card. Simply cut off any amount of cards and look at the bottom card of the cut-off portion. Then, bury the cut-off portion somewhere into the middle of the remaining cards in order to lose your selected card. Once that is done, invite me to turn back around to face you."

So the magician...

Imagine:

The magician introduces a deck of cards. He spreads it face up to show that all the cards are different. Next, he invites a spectator to thoroughly shuffle the deck. Once the spectator is done shuffling, the magician takes the deck to demonstrate what they are to do. He cuts off some cards from the top of the deck as he tells the spectator "I want you to cut the cards from the top of the deck like this in order to make some piles." He then reassembles the deck and hands it back to the spectator as he says "Let's do 3 piles. So cut the deck into 3 piles." Furthermore, he promises...

Imagine: The magician and the spectator are seated together at a table. The magician introduces a deck of cards and spreads it face up to show that all the cards are different. After this, he turns his back to the spectator and says "I want you to generate a random number between 1 and 52. Of course, I could have you name one, but then you may think I psychologically influenced you towards a particular number or that I relied on you to think of a popular number. So to eliminate such ideas, I want you to generate a number by cutting off any amount of cards from the top of the deck and then...

Excerpt from the preface:

• Preface To Second Edition
• Introduction
• The Tapered Deck
• #1 The Coincidence
• #2 The Perfect Count
• #3 The Shuffled Setup
• #4 Mixed Up Miracle ...

Imagine:

The magician and the spectator are seated together at a table. The magician hands the spectator a deck of cards and asks them to examine all of the cards (making sure that they're all different, etc.) and to shuffle them thoroughly. After this is done, the spectator is asked to cut the deck into two approximately equal piles and to keep one for themself and to give the other to the magician.

The magician now says that each of them will bring their respective half under the table and spread through the faces of the cards in order to select (and remove) one, which will then be...

You, a spectator, a deck of cards, a miracle!

A spectator shuffles a deck of cards, you instruct them to hold the cards face up, under the table, so that only they can see them. Despite these test conditions, you apparently display a genuine feat of 'remote viewing' by attempting to name each card in turn, as if you are somehow able to 'see through the table'. With an accuracy way beyond the odds you are able to prove to your audience that they are witnessing a real demonstration of 'psychic' ability and what you claim to be true, must be possible.

This effect will completely 'blow away'...

A hard-to-find treatise on the beveled or "Stripper" pack, written by a world-famous mentalist and master magician. Out of print since 1923 (according to The Magic Wand magazine), this booklet is now back in a revised and expanded edition. No matter if you're a fan of this pioneering mentalist or simply want a collection of fine tricks to use with your tapered deck, this is a nice collection of a whopping 37 effects that you'll be happy to add to your repertoire.

"The most complete and extensive treatise ever compiled and published on the charming and effective uses of the standard 'Stripper Deck'."...

Not your magic dealer's Brainwave. Entirely new and revolutionary. Complete instructions to easily make it yourself.

1. Predict the ending in writing before the card is revealed. One prediction in full view. No switches or indexes.
2. Show a "regular deck" top and bottom before the face-up card is located.
3. Predict three choices in writing. All three choices are absolutely free. No forcing.
4. Destroy the spectator's free will as he selects a card from a deck he has shuffled and examined.
5. Cause a selected card to vanish and appear elsewhere.

Includes four non-Brainwave miracles by the legendary...

This article describes in particular one marking system of cards. It includes illustrations depicting how the cards were marked. It also touches on a few other ways to cheat.

The article appeared in the Chicago Herald during Mayor Roche's time.

1st edition ~1887, PDF 5 pages.

Learn six different marking systems for a Bicycle Rider Back design. There are both reader back and coder back marking systems shared here. Each marking system is unique and is suited for varying performing scenarios.

This is a compilation of all three volumes of Pigment and Pixel for the price of two individual ones.

[Reader Backs are marking systems where the value and suit are explicitly written on the back of the card (often hidden within the design). Coder Backs are marking systems where the back patterns/design is used to tell the value and suit of the card.]

There are no tricks with a marked deck taught in this ebook.

1st edition 2022, originally titled "Pigment & Pixel 1, 2, 3", PDF 35 pages....

Out of Control is a surprising, impossible location effect. The magician never touches the deck or even looks at it because the spectator will do everything under the table including two riffle shuffles and several cuts. Yet despite these stringent premises, the magician will be able to find the spectator's card face down in the spread of the deck. Great reactions especially from fellow magicians.

1st edition 2022, video 13:51

A minimalist storytelling mentalism card routine.

"This is a truly thoughtful and beautiful presentation - the sort of thing that really warms my heart. The presentation here is the thing. And what's really nice about it, is that it is easily adaptable to other effects if one so desires. I love it!" - Sudo Nimh

A special competition was underway at a famous monastery and all the monks were quite eager to do well. The Master had pointed out a very special tree that lived in the woods surrounding the monastery grounds and the monks had been asked to write a story about this tree. The winner...

This effect has such a subtle method. If you want to destroy your spectator with a killer effect, this is the one. This effect is a mix of impossible location, ACAAN and impossible revelation. Joseph has often used this effect as an opener and always got great reactions. You have all the material at home to construct the deck.

You introduce a deck of cards and instruct a spectator to cut about a third of the deck and place it to the side. The card cut to is remembered by the spectator and also put aside. The spectator shuffles the part cut off and the performer shuffles the remainder of...

Two DIY card-marking systems for the ones who like to take things into their own hands. Pigment & Pixel 3.0 has two marking systems designed for the standard Bicycle Rider back design. Information for both value and suits are marked on one square-centimeter area of the card making it easy to identify the card at one go. The marks are on the side border area for one of the systems while it is towards the center for the other.

Note: This download consists of only the marking systems and does not come with any tricks for a marked deck.

1st edition 2021, PDF 12 pages.

Ten-Ten Marking System is a reliable playing card marking system for creating a marked deck that is easy to read and understand, based on the binary system, and practically invisible to your spectators. Easily identify each card at a glance.

• Easy to read marking system
• Easy to learn and remember
• Inexpensive and easy to make

1st edition 2020, PDF 6 pages.

Don't tell anybody but sometimes magicians use marked cards. Apart from pick a card and tell the spectator the name of that card what else can you do with them? Here are five routines to use with any type of marked deck.

What a Coincidence: A routine where unseen cards are put on the table, you go first, the spectator follows and each of the cards coincidentally match.

Centre Stage: The cards are mixed, the spectator cuts, without touching the cards you can instantly announce the name of the 26th card, or centre card of the deck. Simple.

Pair Enough: 'Mysterious Pairs' from Hoffmann's More Magic is put...

A new permanent tactile marking method, which is easier to feel and less visually noticeable compared to a punch.

Boss work is a marking system that you read by touch, and is designed primarily for use with the punch deal. It is easy to put in and the items required are not too expensive. When compared to the punch, boss work is much easier to feel and more durable. The markings are almost impossible to see on the backs of the cards, and there is nothing to see on the fronts. This video will take you through putting in the work, teaching you the best way to mark the cards, and also showing...

Pigment & Pixel 2.0 has two marking systems designed for the standard Bicycle Rider Back. Both the marking systems are based on something that you've been seeing since your childhood hence it is almost impossible to forget. One of the marking systems is small and while the other is big, so you're covered of either kind of eyesight.

Note : This download consists of only the marking systems and does not come with any tricks with a marked deck.

1st edition 2020, 9 pages.